The studio of the renowned sixty year old photographer Cornelia Grau is the scene for this play where her first meeting will take place with the leading immigrant candidate standing in the general elections for the Presidency of Spain, Alfredo Santana. The purpose of the meeting is a photo session to be used for the electoral campaign. Why has the candidate chosen a photographer known for her racist sympathies? Why has Cornelia accepted to make a poster for a man she finds abhorrent?
They both have their reasons.

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